Uniquely charismatic talent Elliot Adamson is one of the most exciting and talked-about new wave of house and techno producers emerging across the globe. From his slew of hugely popular edits of everyone from Childish Gambino and Patrice Rushen to the Happy Mondays and releases on some of the biggest labels in the scene, his productions are always squarely focused on moving dancefloors in the most effective way possible, but tinged with a penchant for weird, bugged-out touches.
Along with his wildly popular Elliot’s Edits series, he has also self-released an impressive five albums of eclectic electronic material on his own imprint, doing all the artwork & promotion himself, receiving radio plays from the likes of Annie Mac, Arielle Free, Danny Howard, Pete Tong, Jack Saunders, Clara Amfo all without any promotional campaign or advance warning and then burnt the whole label to the ground leaving his music to be even more sought after. All of this helped him to garner an impressive nomination for Best Producer at DJ Mag’s Best Of British Awards - combined with his highly amusing social media antics and infectious personality, his popularity has been rapidly skyrocketing.
His role as resident and assistant A&R for Patrick Topping’s fast-rising Trick parties and Trick Records is further elevating him into the stratosphere. On the label itself he has released EP’s such as ‘Electric Acid Tater Tots’ & ‘Send It’ are a mish mash of genres, tempos and his own signature vocals, and he has remixed the likes of Jessie Ware, The Magician, Dido And Faithless’ Rollo as R Plus, Groove Armada, HYYTS & Tibasko. With a heavy gigging schedule everywhere from The Warehouse Project & Fabric London to Glasgow’s Sub Club or on his home turf at Digital in Newcastle, there’s a constant dialogue between his work in the booth and his studio productions which ensures that each and every track is certified floor-mover.